Antonin Garrigue develops a body of work centered on the instability of the human image.
His paintings do not seek to describe figures but to test their resistance: how much emotion, tension and ambiguity an image can contain before it breaks.
Using reduction, chromatic contrast and dripping as both gesture and disruption, he creates compositions where the figure oscillates between seduction and collapse, precision and dissolution.
In this space of controlled instability, Garrigue examines identity not as a fixed condition, but as a shifting emotional surface.